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Armond White's Chronicle review

Theory Vs. Practice: A Dazzling Allegory In Chronicle by Armond White on Feb 1, 2012 ...


 Armond White's Chronicle review
By youknowmystelo - 02-02-2012, 01:28 AM - Boxden > The TV and Movie Spot


Theory Vs. Practice: A Dazzling Allegory In Chronicle
by Armond White on Feb 1, 2012 • 3:35 pm

> Armond White's Chronicle review - Photo posted in The TV and Movie Spot | Sign in and leave a comment below!

“Ever hear of Plato’s allegory of the cave?” one teenager asks another in Chronicle. This philosophy quiz was unexpected in the midst of a thrill ride movie but Chronicle is so surprisingly interesting, I wondered if its makers ever saw The Conformist (1971), where Bernardo Bertolucci visualized Plato’s allegory. When it’s good, Chronicle is less a thrill ride than a deliberation on movie thrills and contemporary youth market tastes.

In Chronicle, debut director Josh Trank uses all the high school adolescent clichés, polished into queer angst (camera geek Dane DeHaan as Andrew who documents his mother’s illness and his father’s abuse); Obama stargazing (lookalike Michael B. Jordan as student council prez Steve Montgomery); and hunk sensitivity (Alex Russell as Andrew’s very responsible cousin Matt).

It’s commercial formula with a brash spin; Andrew’s snooping camera represents a poor kid’s attempt at both the self-consciousness of the social-media age and Hollywood’s latest cheap trend: using subjective realism as a premise for the horror and supernatural genres. This goes back to Blair Witch Project and Cloverfield—trite exploitations of the hand-held, real-time camera gimmick—but Trank distances himself from both with state-of-the-art panache. Videography by Matthew Jensen makes spectacle the movie’s real subject. Chronicle’s sharp, ultra clear, subtle imagery is more compelling than what happens to Andrew, Steve and cousin Matt’s friendship after they develop telekinetic superpowers upon encountering a meteorite.

Chronicle alludes to the metaphoric hormonal urges of DePalma’s classics Carrie and The Fury—in fact it’s loaded with pop references. Screenwriter Max Landis throws in plot concepts and gimmicks (like Obama and the cousins’ pursuit of a female video blogger) without ever achieving the concentration on moral quandary and mythology that distinguished last year’s Trollhunter, the Scandinavian upgrade of the witness-to-horror stunt premise.

Landis and Trank only play around with that potential (also tossing in Let the Right One In allusions). But when the three friends discover an ability to fly and play football in the sky, the metaphor for prowess and transcendence blends digital video effects and genuine cinematic spectacle into the damnedest thing since the skydiving scenes in Point Break. From there, Chronicle’s play with spectacle and imagination is almost a fascinating version of Plato’s allegory.

Beyond its gimmicky premise, Chronicle’s visual excitement raises the important issue of how we use and respond to media. When the camera appears to follow Andrew’s P.O.V. or capture his different adventures and humiliations—from spelunking to flying to secks—Trank seems to be exercising cinematic form. Like Andrew, he attempts to figure out what to do with this amazing digital-video technique. (Is it accidental that neurasthenic DeHaan resembles a cross between Jonathan Caouette and Todd Haynes?) Blair Witch Project, Cloverfield and the Paranormal Activity movies have degraded cinematic form, but when the hand-held, real-time stunt isn’t trite, the matter of aesthetic purpose and artistic responsible must be pondered, as here. Do modern audiences know about (Godard’s theory on) editing as a political act or, having been raised on television and Internet excess, is cutting and camerawork just ignored in favor of dialog-based “content”?

Masterpieces like Peckinpah’s The Wild Bunch, Bertolucci’s The Conformist, DePalma’s The Fury and Spielberg’s War Horse and The Adventures of Tintin make aesthetic issues part of their stories—the Blair Witch hoaxes don’t. Trank’s fumbling allegory questions responsibility: The boys realize that their ability to move things and do damage carries an onus (their noses bleed) and cousin Matt comes up with rules which Andrew defies when enraged. Lacking consistent follow-through (Landis never explains the source of the boys’ powers), Chronicle deteriorates into a destruction-of-Seattle finale (eventually trashing Trank’s subtle references to Nirvana’s cheerleaders-in-hell music video “Smells Like Teen Spirit”).

That Plato question is smart-assed. Chronicle superficially touches on philosophy as it also superficially questions violence while exploiting Hollywood’s violent trends. Smart-alecky Landis invokes the Apex predator theory as if to explain Andrew’s anxiety before defining it in dramatic terms. Chronicle’s frustrating misuse of dazzling cinematic technique raises the question of the era: Do youth audiences know what cinematic form is for?


Theory Vs. Practice: A Dazzling Allegory In Chronicle | City Arts | City Arts


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48 comments for "Armond White's Chronicle review"


 02-02-2012, 07:28 AMaway - #2
DaOmega_1
So.... I'm confused by this review. I can't really get a sense if this is positive or negative.
 02-02-2012, 08:13 AMaway - #3
GodsFavorite
Originally Posted by DaOmega_1
So.... I'm confused by this review. I can't really get a sense if this is positive or negative.
im saying..whats the opposite of so-so? not sure what to take from this
 02-02-2012, 08:23 AMaway - #4
youknowmystelo
Originally Posted by DaOmega_1
So.... I'm confused by this review. I can't really get a sense if this is positive or negative.
I'm the ultimate AW translator. Its a negative review. Do you want a more in depth translation?

One more day!
 02-02-2012, 08:26 AMaway - #5
youknowmystelo
Do modern audiences know about (Godard’s theory on) editing as a political act or, having been raised on television and Internet excess, is cutting and camerawork just ignored in favor of dialog-based “content”?

Flaunting off that pretentious. I ain't mad at cha, homie.
 02-02-2012, 08:28 AMaway - #6
DaOmega_1
Originally Posted by youknowmystelo
I'm the ultimate AW translator. Its a negative review. Do you want a more in depth translation?

One more day!
But, he spends most of the review talking about the film positively except for the last two paragraphs.

 02-02-2012, 08:31 AMaway - #7
youknowmystelo
Originally Posted by DaOmega_1
But, he spends most of the review talking about the film positively except for the last two paragraphs.

It must have something to do with the third act from what i gathered from this review.


Well, at least until the final act…

Almost as if the project was subject to a hostile takeover by Michael Bay, Chronicle goes so garishly gangbusters in its final third, you’d be forgiven for reaching for a pair of 3D glasses. This toneless transition completely maligns the tact and playfulness of what preceded it, while the film’s insistence that all the phantasmagorical action be caught on actual cameras forces us to watch a mish-mash of CCTV feeds, phone cameras and news broadcasts (not to mention a few shots I can only conclude were conjured out of thin air). It’s shambolic, to say the least, not only because it’s a sequence better suited to conventional filming practices, but also because it’s a sequence better suited to a bigger budgeted movie, one that can afford flying effects that are the slightest bit convincing.

Ultimately, it’s hard to fault Trank for his ambition, but the same can’t be said for his directorial decisions. With Chronicle, he’s a visionary at odds with his own vision, trying to create something that is intimately epic, not to mention conventionally unconventional — all on a budget James Cameron would consider lunch money. Still, rather than cautiously testing the waters like other first-timers, Trank has jumped in head first, determined to make a splash. Yes, he’s created a bit of a mess in the process, but you just know that when he eventually resurfaces, Hollywood will be the ones holding the towel.

Last edited by youknowmystelo; 02-02-2012 at 08:35 AM..
 02-02-2012, 09:27 AMaway - #8
TH35
Sounds like he's in between but its Armond White
 02-02-2012, 09:41 AMaway - #9
youknowmystelo
Originally Posted by TH35
Sounds like he's in between but its Armond White
 02-02-2012, 09:49 AMaway - #10
DaOmega_1
Originally Posted by youknowmystelo
It must have something to do with the third act from what i gathered from this review.
Hmmmm... That interesting, because I've heard that the best parts of the film is the 3rd act.



Either way, I'm seeing it tomorrow night.
 02-02-2012, 10:22 AMaway - #11
Jacc Blacc
Originally Posted by DaOmega_1
So.... I'm confused by this review. I can't really get a sense if this is positive or negative.
i watched it....it starts off weak, gets decent in the middle and then falls flat at the end

and i wanted this to be good its 3/5 AT BEST
 02-02-2012, 10:24 AMaway - #12
Jacc Blacc
Originally Posted by DaOmega_1
Hmmmm... That interesting, because I've heard that the best parts of the film is the 3rd act.



Either way, I'm seeing it tomorrow night.

3rd act is dumb......i guess it was needed or their would be no villians but the whole time i was like meh.....
 02-02-2012, 10:41 AMaway - #13
GodsFavorite
if armonds review is really negative it typically becomes a midnight screening for me. this, ill catch sometime over the weekend
 02-02-2012, 11:49 AMaway - #14
youknowmystelo
Originally Posted by Jacc Blacc
i watched it....it starts off weak, gets decent in the middle and then falls flat at the end

and i wanted this to be good its 3/5 AT BEST
Originally Posted by Jacc Blacc
3rd act is dumb......i guess it was needed or their would be no villians but the whole time i was like meh.....
We Don't Believe YOU - YouTube

Originally Posted by GodsFavorite
if armonds review is really negative it typically becomes a midnight screening for me. this, ill catch sometime over the weekend
you enjoy watching bad movies.
 02-02-2012, 11:52 AMaway - #15
GodsFavorite
Originally Posted by youknowmystelo
you enjoy watching bad movies.
sorry i dont see eye to eye with him on the genius of jack & jill
 02-02-2012, 11:53 AMaway - #16
youknowmystelo
Originally Posted by GodsFavorite
sorry i dont see eye to eye with him on the genius of jack & jill
 02-02-2012, 12:34 PMaway - #17
Jacc Blacc
Originally Posted by youknowmystelo

i'll just say this....i almost walked out after what happen to my boy wallace plus the main characters suck.......

andrew- social outcast.....loser......!! always carrying the camera

steve- cool popular kid who somehow doesnt mind chilling with lames, and the only liekable charcter

matt- andrew's cousin who hangs out with andrew because...well...its his cousin and he feels dorry for the loser.....he's more popular then andrew but less popular then steve, he consstsntly tries to talk about philosopy and tries to seem smarter then he really is for whatever reason....




and the whole super hero vs super villian aspect was WEAK especially with the scene where andrew is looking at a spider and then elevates the spider and rips him for no reason since he feels he has aapex predator now

and i think i would have enjoyed this move more if it was just a straight up movie and not a movie seen entirely through several camera/video recorder lens..especially at the end with the fight scene its hard to keep your eyes on whats happening when its !!s from camera from a helicopter...camera shot from a cop car....camera shots for that blonde girls camera

at one point i was like...i see andrew and matt fighting but i cant tell which is which and its harder to keep up with it, not because its fast but because its sloppy


and another thing, the Andrew charcter is extremly unlikable which i guess they did on purpose but instead of robbing a store like the dumbhe is he could have just flew to every atm in the nearest location and basically cracked it open and took the money out no one would have got hurt and he would have got what he needed



and the ending.......smh..i get it...you can fly but how the fukk do you fly that far without getting tired....your not superman matt, i loved when matt said "you made it bro..you made it", someone in the back yelled "man sukk a dikk" and the entire theater broke out laughing


this is a straight to dvd or syfy channel movie.....there wasnt !! epic about this movie, it was just alright

3/5
 02-02-2012, 12:41 PMaway - #18
youknowmystelo
we'll see if i agree tomorrow.
 02-02-2012, 12:53 PMaway - #19
ReppinDaBurghh
[smiley]
 02-02-2012, 01:39 PMaway - #20
DaOmega_1
Originally Posted by Jacc Blacc
i'll just say this....i almost walked out after what happen to my boy wallace plus the main characters suck.......

andrew- social outcast.....loser......!! always carrying the camera

steve- cool popular kid who somehow doesnt mind chilling with lames, and the only liekable charcter

matt- andrew's cousin who hangs out with andrew because...well...its his cousin and he feels dorry for the loser.....he's more popular then andrew but less popular then steve, he consstsntly tries to talk about philosopy and tries to seem smarter then he really is for whatever reason....




and the whole super hero vs super villian aspect was WEAK especially with the scene where andrew is looking at a spider and then elevates the spider and rips him for no reason since he feels he has aapex predator now

and i think i would have enjoyed this move more if it was just a straight up movie and not a movie seen entirely through several camera/video recorder lens..especially at the end with the fight scene its hard to keep your eyes on whats happening when its !!s from camera from a helicopter...camera shot from a cop car....camera shots for that blonde girls camera

at one point i was like...i see andrew and matt fighting but i cant tell which is which and its harder to keep up with it, not because its fast but because its sloppy


and another thing, the Andrew charcter is extremly unlikable which i guess they did on purpose but instead of robbing a store like the dumbhe is he could have just flew to every atm in the nearest location and basically cracked it open and took the money out no one would have got hurt and he would have got what he needed



and the ending.......smh..i get it...you can fly but how the fukk do you fly that far without getting tired....your not superman matt, i loved when matt said "you made it bro..you made it", someone in the back yelled "man sukk a dikk" and the entire theater broke out laughing


this is a straight to dvd or syfy channel movie.....there wasnt !! epic about this movie, it was just alright

3/5
This sounds like more nitpicks with personal beefs rather than actual critiques... I don't know, man. From what I've heard from sources I trust, they run directly opposite of the problems you're talking about...



Either way, I'll be the judge of it when I see it tomorrow.
 
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