Armond White's Chronicle reviewTheory Vs. Practice: A Dazzling Allegory In Chronicle by Armond White on Feb 1, 2012 ... |
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| By youknowmystelo - 02-02-2012, 01:28 AM - Boxden > The TV and Movie Spot Theory Vs. Practice: A Dazzling Allegory In Chronicle by Armond White on Feb 1, 2012 • 3:35 pm ![]() “Ever hear of Plato’s allegory of the cave?” one teenager asks another in Chronicle. This philosophy quiz was unexpected in the midst of a thrill ride movie but Chronicle is so surprisingly interesting, I wondered if its makers ever saw The Conformist (1971), where Bernardo Bertolucci visualized Plato’s allegory. When it’s good, Chronicle is less a thrill ride than a deliberation on movie thrills and contemporary youth market tastes. In Chronicle, debut director Josh Trank uses all the high school adolescent clichés, polished into queer angst (camera geek Dane DeHaan as Andrew who documents his mother’s illness and his father’s abuse); Obama stargazing (lookalike Michael B. Jordan as student council prez Steve Montgomery); and hunk sensitivity (Alex Russell as Andrew’s very responsible cousin Matt). It’s commercial formula with a brash spin; Andrew’s snooping camera represents a poor kid’s attempt at both the self-consciousness of the social-media age and Hollywood’s latest cheap trend: using subjective realism as a premise for the horror and supernatural genres. This goes back to Blair Witch Project and Cloverfield—trite exploitations of the hand-held, real-time camera gimmick—but Trank distances himself from both with state-of-the-art panache. Videography by Matthew Jensen makes spectacle the movie’s real subject. Chronicle’s sharp, ultra clear, subtle imagery is more compelling than what happens to Andrew, Steve and cousin Matt’s friendship after they develop telekinetic superpowers upon encountering a meteorite. Chronicle alludes to the metaphoric hormonal urges of DePalma’s classics Carrie and The Fury—in fact it’s loaded with pop references. Screenwriter Max Landis throws in plot concepts and gimmicks (like Obama and the cousins’ pursuit of a female video blogger) without ever achieving the concentration on moral quandary and mythology that distinguished last year’s Trollhunter, the Scandinavian upgrade of the witness-to-horror stunt premise. Landis and Trank only play around with that potential (also tossing in Let the Right One In allusions). But when the three friends discover an ability to fly and play football in the sky, the metaphor for prowess and transcendence blends digital video effects and genuine cinematic spectacle into the damnedest thing since the skydiving scenes in Point Break. From there, Chronicle’s play with spectacle and imagination is almost a fascinating version of Plato’s allegory. Beyond its gimmicky premise, Chronicle’s visual excitement raises the important issue of how we use and respond to media. When the camera appears to follow Andrew’s P.O.V. or capture his different adventures and humiliations—from spelunking to flying to secks—Trank seems to be exercising cinematic form. Like Andrew, he attempts to figure out what to do with this amazing digital-video technique. (Is it accidental that neurasthenic DeHaan resembles a cross between Jonathan Caouette and Todd Haynes?) Blair Witch Project, Cloverfield and the Paranormal Activity movies have degraded cinematic form, but when the hand-held, real-time stunt isn’t trite, the matter of aesthetic purpose and artistic responsible must be pondered, as here. Do modern audiences know about (Godard’s theory on) editing as a political act or, having been raised on television and Internet excess, is cutting and camerawork just ignored in favor of dialog-based “content”? Masterpieces like Peckinpah’s The Wild Bunch, Bertolucci’s The Conformist, DePalma’s The Fury and Spielberg’s War Horse and The Adventures of Tintin make aesthetic issues part of their stories—the Blair Witch hoaxes don’t. Trank’s fumbling allegory questions responsibility: The boys realize that their ability to move things and do damage carries an onus (their noses bleed) and cousin Matt comes up with rules which Andrew defies when enraged. Lacking consistent follow-through (Landis never explains the source of the boys’ powers), Chronicle deteriorates into a destruction-of-Seattle finale (eventually trashing Trank’s subtle references to Nirvana’s cheerleaders-in-hell music video “Smells Like Teen Spirit”). That Plato question is smart-assed. Chronicle superficially touches on philosophy as it also superficially questions violence while exploiting Hollywood’s violent trends. Smart-alecky Landis invokes the Apex predator theory as if to explain Andrew’s anxiety before defining it in dramatic terms. Chronicle’s frustrating misuse of dazzling cinematic technique raises the question of the era: Do youth audiences know what cinematic form is for? Theory Vs. Practice: A Dazzling Allegory In Chronicle | City Arts | City Arts |
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| 02-02-2012, 07:28 AM | away - #2 |
| So.... I'm confused by this review. I can't really get a sense if this is positive or negative. | |
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| 02-02-2012, 08:13 AM | away - #3 | |
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| 02-02-2012, 08:23 AM | away - #4 | |
One more day! | ||
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| 02-02-2012, 08:26 AM | away - #5 |
| Do modern audiences know about (Godard’s theory on) editing as a political act or, having been raised on television and Internet excess, is cutting and camerawork just ignored in favor of dialog-based “content”? Flaunting off that pretentious. I ain't mad at cha, homie. | |
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| 02-02-2012, 08:28 AM | away - #6 | |
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| 02-02-2012, 08:31 AM | away - #7 | ||
Last edited by youknowmystelo; 02-02-2012 at 08:35 AM.. | |||
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| 02-02-2012, 09:27 AM | away - #8 |
| Sounds like he's in between but its Armond White | |
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| 02-02-2012, 09:41 AM | away - #9 | |
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| 02-02-2012, 09:49 AM | away - #10 | |
Either way, I'm seeing it tomorrow night. | ||
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| 02-02-2012, 10:22 AM | away - #11 | |
and i wanted this to be good its 3/5 AT BEST | ||
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| 02-02-2012, 10:24 AM | away - #12 | |
3rd act is dumb......i guess it was needed or their would be no villians but the whole time i was like meh..... | ||
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| 02-02-2012, 10:41 AM | away - #13 |
| if armonds review is really negative it typically becomes a midnight screening for me. this, ill catch sometime over the weekend | |
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| 02-02-2012, 11:49 AM | away - #14 | ||||||
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| 02-02-2012, 11:52 AM | away - #15 | |
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| 02-02-2012, 11:53 AM | away - #16 | |
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| 02-02-2012, 12:34 PM | away - #17 | |
andrew- social outcast.....loser......!! always carrying the camera steve- cool popular kid who somehow doesnt mind chilling with lames, and the only liekable charcter matt- andrew's cousin who hangs out with andrew because...well...its his cousin and he feels dorry for the loser.....he's more popular then andrew but less popular then steve, he consstsntly tries to talk about philosopy and tries to seem smarter then he really is for whatever reason.... and the whole super hero vs super villian aspect was WEAK especially with the scene where andrew is looking at a spider and then elevates the spider and rips him for no reason since he feels he has aapex predator now and i think i would have enjoyed this move more if it was just a straight up movie and not a movie seen entirely through several camera/video recorder lens..especially at the end with the fight scene its hard to keep your eyes on whats happening when its !!s from camera from a helicopter...camera shot from a cop car....camera shots for that blonde girls camera at one point i was like...i see andrew and matt fighting but i cant tell which is which and its harder to keep up with it, not because its fast but because its sloppy and another thing, the Andrew charcter is extremly unlikable which i guess they did on purpose but instead of robbing a store like the dumbhe is he could have just flew to every atm in the nearest location and basically cracked it open and took the money out no one would have got hurt and he would have got what he needed and the ending.......smh..i get it...you can fly but how the fukk do you fly that far without getting tired....your not superman matt, i loved when matt said "you made it bro..you made it", someone in the back yelled "man sukk a dikk" and the entire theater broke out laughing this is a straight to dvd or syfy channel movie.....there wasnt !! epic about this movie, it was just alright 3/5 | ||
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| 02-02-2012, 12:41 PM | away - #18 |
| we'll see if i agree tomorrow. | |
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| 02-02-2012, 12:53 PM | away - #19 |
| [smiley] | |
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| 02-02-2012, 01:39 PM | away - #20 | |
Either way, I'll be the judge of it when I see it tomorrow. | ||
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